Tag Archives: Capitol Records

Album: “Frank Sinatra: The Capitol Years”

Frank Sinatra was at the top of his game between 1953 and 1961 when he recorded some of his most memorable songs on the Capitol label. Often backed by the terrific arrangements of Nelson Riddle. Uploaded by blue-eyes.com.

It’s cheating in a way to have a “Best of” album honored here, but that’s not exactly what “The Capitol Years” is all about. This isn’t a greatest hits album, but a compilation of 75 of the finest Sinatra recordings during his years with Capitol Records (1953-1961).

This was the era when Sinatra was at his very best. He had matured beyond the pop idol status he held during the big band era, and hadn’t become the

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self-satisfied geezer that Saturday Night Live parodied. Here he was in full voice, with enough life experience to make his love songs credible, whether he sang about love gained or lost. And he had the benefit of amazing arrangements by the great Nelson Riddle and Billy May.

You can find the full 75-track listing elsewhere, but here are some of the notable highlights on the album:

“I’ve Got the World on a String” * “They Can’t Take That Away from Me” * “I Get a Kick out of You” * “Young at Heart” * “In the Wee, Small Hours of the Morning” * “Love and Marriage” * “(Love Is) The Tender Trap” * “I’ve Got You Under My Skin” * “The Lady is a Tramp” * “Night and Day” * “Witchcraft” * “Chicago (That Toddlin’ Town)” * “Autumn in New York” * “Come Fly with Me” * “Guess I’ll Hang My Tears Out to Dry” * “Saturday Night (Is the Loneliest Night of the Week)” * “High Hopes” * “Almost Like Being in Love”

Music: Johnny Mercer

As a businessman, he co-founded Capitol Records. As a singer, he had a number of hits. But his real strength was songwriting, particularly lyrics, at which he's one of the music industry's all-time best. Uploaded by cdn.mos.musicradar.com.

This Georgia boy brought a Southern sensibility to popular music in the 1930s-1960s, and became a noted singer as well. Primarily he was a lyricist, writing words for such composers as Hoagy Carmichael, Harold Arlen, Jerome Kern, Henry Mancini and, occasionally, himself.

Mercer first made his mark among the Tin Pan Alley songwriters of New York, but soon realized the future was writing music for films, causing him to move to Hollywood. His songs were recorded by Fred Astaire, Bing Crosby, Frank Sinatra, and many other prominent singers of that era.

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A partial list of the songs Mercer contributed to the “Great American Songbook” include:

“Goody Goody” (1936) * “I’m an Old Cowhand from the Rio Grande” (1936) * “Hooray for Hollywood” (1937) * “Too Marvelous for Words” (1937) * “You Must Have Been a Beautiful Baby” (1938) * “Jeepers Creepers” (1938) * “And the Angels Sing” (1939) * “Fools Rush In” (1940) * “Blues in the Night” (1941) * “I Remember You” (1941) * “Tangerine” (1941) * “This Time the Dream’s On Me” (1941) * “That Old Black Magic” (1942) * “Skylark” (1942) * “One for My Baby (And One More for the Road)” (1943) * “Dream” (1943) * “Ac-cent-tchu-ate the Positive” (1944) * “Laura” (1945) * “Come Rain or Come Shine” (1946) * “On the Atchison, Topeka and the Santa Fe” (Academy Award, 1946) * “Autumn Leaves” (1947) * “In the Cool, Cool, Cool of the Evening” (Academy Award, 1951) * “Glow Worm” (1952) * “Something’s Gotta Give” (1954) * “Moon River” (Academy Award, 1964) * “Days of Wine and Roses” (Academy Award, 1964) * “I Wanna Be Around” (1964) * “Summer Wind” (1965)

As if songwriting weren’t enough, Mercer had a successful recording career, and sang with several big bands. And he was a co-founder of Capitol Records. He was nominated for 19 Academy Awards, and won four. He was inducted into the Songwriters Hall of Fame in 1971, and the organization presents an annual songwriting award in his name.